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SPATIAL DESIGN STUDIO 3

SPAD701_2020

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Spatial Design Studio 3 Sem 2: 소개
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CINEMATIC

What are Cinematic aspects 

Cinematic technique can include the framing, angle, and camera movement of a shot, as well as the sound and editing used in a film

Spatial Design Studio 3 Sem 2: 소개

IMAGE RESEARCHES

I liked the part of the cinematic technique called Framing, and I looked for images using the framing technique on the Internet. The images are images of a method of putting another frame in a frame.

Spatial Design Studio 3 Sem 2: 갤러리

CONCEPT MODEL MAKING FOR CINEMATIC DEVICE

As a gathering the key concept for my cinematic device, I have cut some angled frames on flat paper, and took photo to create the mood of frame inside the frame.

I think I will develop an idea to make this screen. I liked the part where variables were created in each picture through an irregular frame. 

Spatial Design Studio 3 Sem 2: 갤러리

3D PRINTING / 3D MODEL OF CINEMATIC DEVICE

  • As it shows on image there are two part on my device which are one for phone to go in for taking photo and other for screens; there are few different screens that it can be change 

  • 3D modeling worked well but in 3D printing process I have failed printing the leg part of device. Since 3D printing failed, I think I have to make the cinematic device by hand. 

Spatial Design Studio 3 Sem 2: 갤러리

MAKING DEVICE BY HAND

Due to the 3D printing failure, I made my device by hand. The result was very satisfactory, and instead of a leg to support the screen, it blocked 4 directions so that light could not enter. As a result, my device created a shape that looked like a camera lens.

Spatial Design Studio 3 Sem 2: 갤러리

3 DIFFERENT SCREENS

I made 3 different screens and rotating them creates another screen. I will be taking pictures of Fort Lane with this screen and my device.

Spatial Design Studio 3 Sem 2: 갤러리

PHOTO TOOK BY USING MY DEVICE

By standing in one place and taking pictures of several different frames, the part covered by the frame is different for each photo, and the visible part is different, so it seemed to show the same space but different spaces. It was as if people looked at the same and made different thoughts and different judgments.

Spatial Design Studio 3 Sem 2: 갤러리

THOMAS KELLNER

Artist Model Researches 

Thomas Kellner is a German fine-art photographer, lecturer and curator. He became known above all for his large-format photographs of famous architectural monuments, which, through many individual images and a shifted camera perspective, look like "photo mosaics"

Spatial Design Studio 3 Sem 2: 갤러리

I really liked his mosaic-like photographs and his photographic techniques, which aren't exactly in line with the exact, but enough visible and understandable; It may appear as a (distorted photo) carrying insufficient information, but the fact that the information in the photo does not look insufficient is really the strength of his artwork. I want to talk about his picture as a mosaic panorama. This is because when taking a panoramic picture, it is a technique of standing in one place and taking a long picture, but Thomas Kellner creates a single long picture by attaching several pictures together. I think this has to do with my idea and my subject of cinematic. Because I think panorama is also a cinematic technique.

Spatial Design Studio 3 Sem 2: 텍스트
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LEICESTER SQUARE

The word panorama was approached by architecture Robert Barker. (The panorama was a 360-degree visual medium patented under the title Apparatus for Exhibiting Pictures by the artist Robert Barker in 1787.) Leicester Square is a place where panoramas were used before using a cinematic device called film, and I think this technology is a cinematic movement. It is ideal that many people share emotions and gazes in one place, looking at the painting surrounding them in 360 degrees.

Spatial Design Studio 3 Sem 2: 소개

HOW PEOPLE PERCEIVE PICTURES THAT ARE NOT PERFECT

Gestalt Laws - Principle of Closure

The principle of closure states that when we look at a complex arrangement of visual elements, we tend to look for a single, recognizable pattern. In other words, when you see an image that has missing parts, your brain will fill in the blanks and make a complete image so you can still recognize the pattern.

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Spatial Design Studio 3 Sem 2: 소개

CINEMATIC DEVICE - PHOTOGRAPHIC TECHNIQUE

  • I have made 6 images using Thomas’s technique 

  • Unlike my idea, I lack my photography skills, so I don't feel like I'm shooting the same thing. And, it was not taken with a professional camera, but with a mobile phone camera, so the intensity of the light is different for each picture, and the color of the picture does not match.  

  • However, each picture has a different feeling, but I think I have shown enough feeling that I wanted to express. So, I think it was a gainer success. And, I still think I copied Thomas Kellner's work, so I'm thinking about whether I can develop more. 

Spatial Design Studio 3 Sem 2: 포트폴리오

SECTION MOOD MODEL MAKING 1

Section model of car park area

Spatial Design Studio 3 Sem 2: 포트폴리오

SAMPLE MODEL MAKING 02

Section Model around Carpart area

Spatial Design Studio 3 Sem 2: 포트폴리오
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Spatial Design Studio 3 Sem 2: 이미지

ABSTRACT

Just as a line is form of connected dots, cinematic is a movement created by connecting every single scene and moment. The moment scenes that we store with our gaze are points, and those points are connected to become lines. That line is a memory of each of us.

Spatial Design Studio 3 Sem 2: 텍스트

DESIGN BRIEF

In this task, I will create a design by fusing my idea of gaze and memory with cinematic elements. 
What I want to show at the end of this task is to make it possible for anyone to describe the features of my design or describe the shape of it and think that the place is Fort Lane. By designing these symbolic things, the memories of Fort Lane overlap in people's heads, and the memories of those people make the space communicate and the memories of the place are shared with each other.

Spatial Design Studio 3 Sem 2: 텍스트

CONCEPT SCRIPT 1

I changed the photo to black and white is that I want to express that memory cannot remember everything clearly, so I gave a flat feeling by killing the color of the photo.

Spatial Design Studio 3 Sem 2: 포트폴리오

CONCEPT SCRIPT 2

I was contemplating how to add the memory of my gaze to the photo I made above and experimented with drawing a line following my gaze while looking at the photo.

Spatial Design Studio 3 Sem 2: 포트폴리오

CONCEPT MODEL MAKING

This model was inspired by the lines of gaze I made. I wanted to express various lines in a limited box space. Each time the box was shaken, the lines formed different curves and different shapes, and it was like the flow of different people's eyes.

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Spatial Design Studio 3 Sem 2: 이미지

CONCEPT SKETCHING ON MODEL

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Spatial Design Studio 3 Sem 2: 이미지

CONCEPT MAPPING

By drawing a line, I could see where my gaze stayed, and which part was highlighted. Then, focusing on the part, I drew my concept map. The lines in the back symbolize the movement that occurs as I pass through the space of the freedom of my gaze, and I put the features of Fort Lane on it. So, I'm sharing a picture of what I remember when I walked through Fort Lane.

Spatial Design Studio 3 Sem 2: 포트폴리오

STORYBOARD PROCESS

Combining the various methods used above, I drew a storyboard from my first-person perspective walking through Fort Lane. I divided my viewpoint into 8 and expressed it cartoony, and while drawing the site of Fort Lane with my freehand, I put the invisibility and rough feeling of memory, and I recorded the movement of my gaze in every frame.

Spatial Design Studio 3 Sem 2: 포트폴리오

STORYBOARD

final storyboard

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Spatial Design Studio 3 Sem 2: 이미지

INSTALLATION ART

What is installation art? 
The term installation art is used to describe large-scale, mixed-media constructions, often designed for a specific place or for a temporary period of time. 
What is the aim of installation art? 
Installation art aims to shift the focus from the literal visual representation of a piece to what the conceptual meaning is behind it. 
I made a street installation with the lines of the works I made above. Those lines symbolize my gaze and memory, and it will decorate Fort Lane.

Spatial Design Studio 3 Sem 2: 텍스트
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MATERIAL

There are these advantages to using aluminum. 
Aluminum is lighter than other steel products. Thanks to this advantage, my design can be lightly attached to the wall without any difficult work, and multiple pieces can be connected. And, compared to other irons, aluminum does not corrode and does not rust.

Spatial Design Studio 3 Sem 2: 소개
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MATERIAL

Why I chose the luminous material. 
Luminous light is a technology possible by the principle of storing light and then slowly reflecting the light back. In this respect, I felt the similarity between the part where the luminous material reminiscent of the moments we saw and saved with our eyes, like our memories. 
And I think Fort Lane shows the real image of the space when it's dark rather than bright. Because there are many people who come to Fort Lane during the day and have the purpose of passing through that road, but many come out to enjoy the nightlife there in the evening. These are the things that Fort Lane and luminous materials have in common, as luminous is the most shining and beautiful in the dark.

Spatial Design Studio 3 Sem 2: 소개

CONCEPT 3D MODELING 1

Spatial Design Studio 3 Sem 2: 포트폴리오

CONCEPT 3D MODELING 2

Spatial Design Studio 3 Sem 2: 포트폴리오
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SOCIAL MODIFIED BENCHES

Jeppe Hein 

This installation furniture is located in Waitematā Plaza which is around harbour area.

This installation is part of a larger series of Social Modified Benches developed by Jeppe Hein's interest in proximity, the study of how humans use space, and his belief that finding ways to connect people is important. Unlike typical park benches designed for a few, long crystal benches that bend and twist back induce interaction.


Rather than adding the meaningless lines of my gaze to Fort Lane, I saw Jeppe Hein's work while wondering whether my design could be used in public places and increased usability.
And I thought about adding a function to my design so that people can use it.

Spatial Design Studio 3 Sem 2: 소개

CONCEPT SHAPE OF FURNITURE FUNCTION 1

I'm going to add some functions to my design that people can use. This is because other people share my memories and gazes by using the flow of my gaze that I design and designed. And it is because people who use the space can express that they generate another memory in the moment of my memory.

Spatial Design Studio 3 Sem 2: 포트폴리오
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REPETITIVE PATTERN USE

I compared the similarities and differences between film and space in a theory class, where space and film have repetitive patterns and similarities in rhythm in the process. Film is made up of repetitions of frames, and space/architecture creates a pattern on a material or structure.
I will add repetitive material use and repetitive pattern structure to my design. This is because repetition creates a sense of rhythm and rhythm creates flow in space.

Spatial Design Studio 3 Sem 2: 소개

CONCEPT SHAPE OF STRUCTURE

Spatial Design Studio 3 Sem 2: 포트폴리오
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USING REPLACEABLE LUMINOUS PANELS

When the luminous material is exposed to light for a long time, the power of the luminous light decreases, and therefore, when the power of the luminous light is weak, it needs to be changed. 
I liked this point. Luminous substances gradually fade and disappear over time, like our memory. I think this is connected to my concept, memory. 
And it's going to get dirty over time, but if you replace only the panel by prefabrication, this can be kept clean and the sustainability of the design can be enhanced.

Spatial Design Studio 3 Sem 2: 소개

FINAL STRUCTURES

Spatial Design Studio 3 Sem 2: 포트폴리오

DETAIL STRUCTURE DRAWING

Spatial Design Studio 3 Sem 2: 포트폴리오

DETAIL STRUCTURE DRAWING

This shows the way of joining structures together.

Spatial Design Studio 3 Sem 2: 포트폴리오

CONCEPT SHAPE OF FURNITURE FUNCTION 2

Using final structure  

Spatial Design Studio 3 Sem 2: 포트폴리오

SITE MODELING

3D modeled Fort Lane 

It's not perfect 3D modeling, but I simply modeled the parts and features that need to be shown. And the reason for unifying the color of the building to gray is to make my design stand out more than the building.

Spatial Design Studio 3 Sem 2: 포트폴리오

SITE MODELING RENDERS

Spatial Design Studio 3 Sem 2: 포트폴리오

RENDERING PROCESS 1

Spatial Design Studio 3 Sem 2: 포트폴리오

RENDERING PROCESS 2

Spatial Design Studio 3 Sem 2: 포트폴리오
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STRAIGHT BENCH AREA

Function 1 

This space is a space that can be used while someone is waiting or coming out around restaurants and clubs and talking for a while. Fort Lane has a well-developed nightlife, so I think it will be useful.

Spatial Design Studio 3 Sem 2: 소개
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WAIST-HIGH STANDING TABLE AREA

Function 2 

This is a space where you can stand in front of a cafe and have a short conversation or use it for situations where you need a table. The height of the table is 1.2m, which is a suitable height for standing.

Spatial Design Studio 3 Sem 2: 소개
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CURVED BENCH AREA

Function 3 

This space is a space where people can sit around and chat comfortably. The c-shaped chair model made it easier for people to see each other and focus on one space.

Spatial Design Studio 3 Sem 2: 소개

3 MAIN FUNCTION WITH HUMAN FIGURE

Spatial Design Studio 3 Sem 2: 포트폴리오

FINAL MODEL RENDERS

Walk through

Spatial Design Studio 3 Sem 2: 포트폴리오

FINAL MODEL RENDERS

With human figure

Spatial Design Studio 3 Sem 2: 포트폴리오

SECTION VIEW

Spatial Design Studio 3 Sem 2: 포트폴리오

ISOMETRIC VIEW

Spatial Design Studio 3 Sem 2: 포트폴리오

1 TO 25 CONCEPT MODEL

Spatial Design Studio 3 Sem 2: 포트폴리오

1 TO 4 MODEL OF STRUCTURE

3D Printing Process

his is my first try 3D printed the aluminum part of my structure, but somehow, I came with a filed print which part was not leveled because the part was melted. But after several attempts, I was able to achieve close to success.

Spatial Design Studio 3 Sem 2: 포트폴리오

1 TO 4 MODEL OF STRUCTURE

bending plastic sheet process

At first, I was told to make this part a 3D printer, but the 3D printer could not make a large flat area and created a strange texture. So, I tried to melt and bend the plastic sheet with the help of a technician. 
After heating the part, I wanted to bend with a heat gun, I pressed the bar bed that matched the angle I wanted to bend. The method was somewhat simple, but it was a strange experience for me.

Spatial Design Studio 3 Sem 2: 포트폴리오

1 TO 4 MODEL OF STRUCTURE

Spatial Design Studio 3 Sem 2: 포트폴리오

1TO 200 MODEL

Spatial Design Studio 3 Sem 2: 포트폴리오

PRESENTATION PAGES

Spatial Design Studio 3 Sem 2: 포트폴리오
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